
Next Goal Wins (2023)
Director: Taika Waititi
Screenwriters: Taika Waititi, Iain Morris
Starring: Michael Fassbender, Oscar Kightley, Kaimana, Ioane Goodhue
Taika Waititi made his name with tender, character-driven films rooted in indigenous and Polynesian experiences. From his early feature that explored father fixation and abandonment to his warm, comic road-movie about an unlikely father-son bond, Waititi blends humor with emotional honesty. His sensibility—a mix of eccentric humor, heartfelt moments, and a fondness for outsider characters—remains a defining element of his work.
Next Goal Wins, based on a true story, follows the American Samoa national football team—long regarded as one of the weakest teams in international competition—and the disgraced coach Thomas Rongen, played by Michael Fassbender, who is hired to change their fortunes. The film aims to be an underdog sports drama with cultural warmth, but its tone often tilts toward self-conscious quirkiness rather than sincere storytelling. Waititi’s narration and stylistic flourishes—meant to charm—can feel intrusive, at times distracting from the lived experiences on screen.
Where the movie succeeds, it does so by honoring the community and small moments that reveal the island’s character. Scenes that introduce the island’s television variety culture and the close-knit personalities behind the local soccer foundation land with genuine warmth. Oscar Kightley’s Tavita is an appealing presence who conveys local pride, and those early sequences that celebrate ritual, humor, and everyday resilience are the film’s strongest assets.

Unfortunately, these moments are often overshadowed by a central narrative that places the white outsider at the center of transformation. The film leans heavily on the white savior structure: Rongen arrives as a fixer whose primary role becomes teaching discipline, confidence, and the mechanics of the sport to players who are portrayed as endearingly hapless. This framing diminishes the players’ agency and flattens the opportunity to explore the community’s own strategies, histories, and strengths.
A more nuanced approach to the team’s dynamic would have brought greater depth. Several players could have been allowed fuller arcs—stories that show agency, regret, hope, and humor—rather than serving mainly to reflect Rongen’s growth. A notable missed opportunity is the treatment of Jaiyah Saelua (played by Kaimana), a real-life fa’afafine athlete whose presence on the team raises meaningful questions about identity, acceptance, and representation in sport. The film gestures toward those complexities but ultimately reduces her role to a didactic tool for Rongen’s personal enlightenment instead of giving her a fully realized emotional center.
There are moments of real grace: a quiet scene in which a teammate attempts to share a family story; small interactions that underline camaraderie; and instances where island culture is celebrated with warmth and humor. Yet those moments are too often interrupted by fast-cut jokes or glib narration that undercut their emotional payoff. Michael Fassbender’s performance is competent and occasionally vulnerable, but it lacks the emotional range to carry Rongen’s heavy redemption arc convincingly. The supporting cast—particularly Kightley and Kaimana—bring authenticity and charm that highlight what the film might have been if it had shifted focus more decisively toward the community it depicts.
As a Disney-backed project, Next Goal Wins feels polished but constrained. The production values and affection for its characters are evident, but the film’s priorities often favor quirk over substance. Themes like teamwork, self-acceptance, and perseverance are present, yet they remain surface-level because the narrative keeps returning to the coach as the primary agent of change rather than exploring how the team and the island shape their own destiny.
In sum, Next Goal Wins offers intermittent warmth and humor and features strong performances from several cast members, but it is uneven in tone and ambition. Fans of Taika Waititi may appreciate familiar stylistic touches, yet those drawn to deeper cultural insight and robust character development may find the film disappointing. Its best moments come when it lets the community breathe and the players’ humanity shine without being filtered through an outsider’s comeback tale.
Score: 8/24