The Elephant Man 1980: David Lynch Film Review
This article was written exclusively for The Film Magazine by Angel Lloyd. The Elephant Man (1980) Director: David Lynch Screenwriters: Christopher De Vore, Eric…
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The Battle of the Sexes (1960) Film Review: Timeless Gender Clash
This article was written exclusively for The Film Magazine by Mark Carnochan. The Battle of the Sexes (1960) Director: Charles Crichton Screenwriter:…
Judy (2019) Movie Review: Renee Zellweger’s Oscar-Winning Turn
Judy (2019) Director: Rupert Goold Screenwriter: Tom Edge Starring: Renée Zellweger, Finn Wittrock, Jessie Buckley, Rufus Sewell, Michael Gambon Rupert Goold, a…
Love Wedding Repeat (2020) Review: Netflix’s Wedding-Day Remix
Love Wedding Repeat (2020) Director: Dean Craig Screenwriter: Dean Craig Starring: Sam Claflin, Olivia Munn, Eleanor Tomlinson, Joel Fry, Tim Key, Aisling…
Brassed Off (1996) Review: A Moving British Brass Band Film
Brassed Off (1996) Director: Mark Herman Screenwriter: Mark Herman Starring: Pete Postlethwaite, Ewan McGregor, Tara Fitzgerald, Stephen Tompkinson, Jim Carter, Philip Jackson,…
Reel Women’s Network: Global Community for Female Filmmakers
This article was written exclusively for The Film Magazine by Emma Kershaw. Reel Women’s Network: A Streaming Platform Dedicated to Female Filmmakers…
Superhero Movies in Crisis: The Future of the Genre
This article was written exclusively for The Film Magazine by Gillian MacLeod. For more than a decade, mainstream cinema has been dominated…
My Summer of Love (2004) Movie Review: Raw, Intimate Drama
My Summer of Love (2004) Director: Pawel Pawlikowski Screenwriter: Pawel Pawlikowski Starring: Natalie Press, Emily Blunt, Paddy Considine Pawel Pawlikowski’s English-language debut,…
The Selfish Giant (2013) Review: Clio Barnard’s Poignant Drama
This piece was originally published on SSP Thinks Film by Sam Sewell-Peterson. The Selfish Giant (2013) Director: Clio Barnard Screenwriter: Clio Barnard…
An American Werewolf in London: Unfinished and Game-Changing
This article was written exclusively for The Film Magazine by Sarah Williams. Jerry Mulligan and Adam are not the protagonists of this…
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