With the Oscars upon us, it’s time to preview some of the most important awards.
This preview covers Who Will Win, Who Should Win, and Who/What Deserved a Nomination
for each of the major “above-the-line” categories.
Another year, another Oscars season. Hopefully this ceremony focuses on filmmaking and performances rather than controversy. The field this year offers a pleasing mix of established masters (Spielberg, McDonagh) and bold new voices (the Daniels). The big question: can Everything Everywhere All at Once continue its remarkable momentum, or will more traditional favorites like Cameron, Spielberg, or McDonagh prevail?
Best Supporting Actress
Nominees:
- Angela Bassett
Black Panther: Wakanda Forever - Hong Chau
The Whale - Kerry Condon
The Banshees of Inisherin - Jamie Lee Curtis
Everything Everywhere All at Once - Stephanie Hsu
Everything Everywhere All at Once
Who Will Win

Jamie Lee Curtis
Who Should Win

Kerry Condon
Who Deserved a Nomination

Jessie Buckley for Women Talking
This category is unusually open. Jamie Lee Curtis has built strong momentum and looks poised to take the statuette, but every nominee here genuinely has a shot. The two actresses from Everything Everywhere All at Once could split votes, which might open the door for veterans like Angela Bassett or the quietly powerful Kerry Condon. Regardless of the outcome, it’s one of the Academy races where anyone can realistically win.
It’s also worth noting the omission of nominees from Women Talking. That film’s performances deserved recognition, and Jessie Buckley stands out as the one who most deserved a nod.
Best Supporting Actor
Nominees:
- Brendan Gleeson
The Banshees of Inisherin - Brian Tyree Henry
Causeway - Judd Hirsch
The Fabelmans - Barry Keoghan
The Banshees of Inisherin - Ke Huy Quan
Everything Everywhere All at Once
Who Will Win:

Ke Huy Quan
Who Should Win:

Ke Huy Quan
Who Deserved a Nomination:

Paul Dano for The Fabelmans
Ke Huy Quan has become the sentimental favorite after his heartfelt work in Everything Everywhere All at Once. His performance anchors the film emotionally, and his standout scenes make him the likely winner. While Judd Hirsch’s nomination was pleasant, several critics felt Paul Dano’s quieter yet powerful turn in The Fabelmans was more deserving of recognition.
Best Actress
Nominees:
- Ana de Armas
Blonde - Cate Blanchett
TAR - Andrea Riseborough
To Leslie - Michelle Yeoh
Everything Everywhere All at Once - Michelle Williams
The Fabelmans

Michelle Yeoh

Michelle Yeoh

Mia Goth for Pearl
The race here narrows to Cate Blanchett and Michelle Yeoh. Blanchett delivers a powerhouse turn in TAR, but Yeoh benefits from strong awards-season momentum and a recent SAG win that often signals Academy support. Her layered performance in Everything Everywhere All at Once could tip the scales in her favor. One omission worth lamenting is Mia Goth’s show-stopping work in Pearl, which many felt merited recognition.
Best Actor
Nominees:
- Austin Butler
Elvis - Colin Farrell
The Banshees of Inisherin - Brendan Fraser
The Whale - Paul Mescal
Aftersun - Bill Nighy
Living

Austin Butler

Colin Farrell

Eden Dambrine for Close
This is a tight contest with Austin Butler, Colin Farrell, and Brendan Fraser all viable contenders. Butler benefits from the Academy’s historical affinity for committed musical biopic performances. Brendan Fraser’s comeback role has captured hearts, while Colin Farrell’s subtle, nuanced work in The Banshees of Inisherin arguably makes him the most deserving. Also regrettably overlooked: Eden Dambrine’s striking lead work in Close, a performance that showed maturity and emotional depth beyond his years.
Best Adapted Screenplay
Nominees:
- All Quiet on the Western Front
- Glass Onion: A Knives Out Mystery
- Living
- Top Gun: Maverick
- Women Talking
What Will Win:

All Quiet on the Western Front
What Should Win:

Women Talking
What Deserved a Nomination:

After Yang
All Quiet on the Western Front is riding strong awards-season momentum and looks likely to win here, though its screenplay didn’t strike this reviewer as radically different from recent war films. By contrast, Women Talking accomplishes a difficult adaptation—turning a largely single-room novel into a gripping, cinematic experience—and arguably should be rewarded. And After Yang remains a beautifully crafted, underseen work that deserved at least a nomination for its thoughtful adaptation.
Best Original Screenplay
Nominees:
- The Banshees of Inisherin
- Everything Everywhere All at Once
- The Fabelmans
- TAR
- Triangle of Sadness

The Banshees of Inisherin

Everything Everywhere All at Once

Cha Cha Real Smooth
This category is competitive. The Banshees of Inisherin is a sharp, darkly comic script from an auteur the Academy respects, which gives it an edge. Everything Everywhere All at Once is inventive and emotionally resonant and would be a worthy winner as well. A shout-out goes to Cha Cha Real Smooth, a sensitive debut screenplay that many feel should have been recognized.
Best Director
Nominees:
- Todd Field
TAR - Daniel Kwan and Daniel Scheinert
Everything Everywhere All at Once - Martin McDonagh
The Banshees of Inisherin - Ruben Östlund
Triangle of Sadness - Steven Spielberg
The Fabelmans
Who Will Win:

Daniel Kwan and Daniel Scheinert
Who Should Win:

Daniel Kwan and Daniel Scheinert
Who Deserved a Nomination:

Robert Eggers for The Northman
The Daniels have led an unexpected awards-season surge, collecting many major directing prizes. Their bold visual style and emotional clarity make them deserving favorites. Spielberg is always a contender, especially for a partly autobiographical film like The Fabelmans, but the Daniels’ inventive command of storytelling gives them the advantage. Also noteworthy: Robert Eggers’ ambitious work on The Northman that many feel has been underrecognized.
Best Picture
Nominees:
- All Quiet on the Western Front
- Avatar
- The Banshees of Inisherin
- Elvis
- Everything Everywhere All at Once
- The Fabelmans
- TAR
- Top Gun: Maverick
- Triangle of Sadness
- Women Talking

Everything Everywhere All at Once

Everything Everywhere All at Once

Aftersun
Could this unconventional indie really win Best Picture? Over the past months, Everything Everywhere All at Once has built extraordinary momentum, connecting with critics and audiences through its emotional core despite its offbeat imagery. If the Academy’s expanding membership embraces more diverse and unconventional storytelling, the film could pull off a historic win. If not, contenders such as All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, or TAR remain strong alternatives.
Finally, if you haven’t seen Aftersun, seek it out. It offers a deeply honest portrayal of memory and depression and is one of the year’s most affecting films.
