If you’re reading this, you probably love Twilight. If you love Twilight, you’re likely familiar with the many wigs used across the film saga. Some are charming, some are playful, and a few are genuinely beloved—while others are, frankly, cringe-worthy (we still adore Eclipse, but some looks missed the mark).
Stephenie Meyer’s vampire mythology describes a transformation that makes the newly turned physically perfect. The cast certainly fits that ideal, and hair often signals a character’s style or allure. Still, some of the wigs—ill-fitting, stiff, or oddly styled—can be distracting enough to pull viewers out of the moment.
We examined every scene across the five Twilight films to pick five wigs that truly slayed and five that fell flat. We’ll alternate between the worst and the best, ending with the single most disappointing wig and the one that reigned supreme. These are 5 Twilight Wigs That Slayed and 5 That Sucked.
5. Sucks – Jasper in New Moon
Sometimes a wig can be both terrible and unforgettable. Jasper’s look in New Moon borders on that territory. The character’s wide-eyed intensity already makes him eerie; pairing that with a frumpy, dated wig only heightens the oddness. Jackson Rathbone grew his hair naturally in the first film but switched to this particular wig for the second, and the wispy baby bangs and uneven shape became a defining, if off-putting, visual for the character.
5. Slays – Esme in Twilight
Esme’s wig in the first Twilight film is elegant and timeless. When Bella first meets the Cullen family, Esme’s warmth and polished, classic hairstyle instantly communicate her gentle, maternal presence. That wig strikes a balance between modern refinement and a hint of vintage glamour—an understated but very effective choice that fits the character perfectly.
4. Sucks – Carlisle in New Moon
This one feels like a wig design crime. Peter Facinelli used his real hair for Carlisle in the first film, but bleaching took a toll, so the production switched to wigs afterward. Unfortunately, the New Moon wig reads as synthetic and overly stiff—more straw than stylish. In a scene meant to emphasize Carlisle’s calm care as he tends to Bella, the obvious, scratchy-looking hairpiece undermines the character’s appeal.
4. Slays – Alice in Breaking Dawn – Part 1
Breaking Dawn – Part 1 gives us Alice’s eye for fashion in full force. Her wedding planning and impeccable taste extend to her hairstyle: a short, waved bob that frames the face and curls neatly under the cheekbones. Ashley Greene wore different wigs throughout the series, and Alice’s looks consistently reinforced her role as the family stylist and trendsetter. This particular wig complements the film’s romantic, fairy-tale setting while remaining true to Alice’s chic persona.
3. Sucks – Bella in Eclipse
Kristen Stewart mostly used her natural hair across the series, though she wore extensions at times. Eclipse is the one film where she clearly wears a full wig, likely because she’d cut her hair for a different role. That wig doesn’t sit well: the hairline shifts between shots, the fit looks tight—sometimes like a cap—and the front strands are pulled into a limp half-pony. For a character defined by understated, practical styling, this wig feels awkward and distracting.
3. Slays – Rosalie in Eclipse
While Bella’s wig struggles in Eclipse, Rosalie’s looks are immaculate—especially in the 1930s flashbacks that reveal her past. Those scenes show her grown-up, wealthy, and meticulously styled: hair rolled, pinned, and perfected into a classic updo. The contrast between her polished flashback appearance and the hardness of her present-day demeanor enhances the character’s backstory, and the styling here is both period-appropriate and visually striking.
2. Sucks – Jacob in Twilight
Jacob’s early look in Twilight presents him as an awkward teen who’s not yet fully formed as a romantic lead. That characterization extends to his wig: a middle part with the top laying flat, creating a slightly greasy appearance. If the intention was to signal a raw, teenage vibe, it succeeds—but when Jacob later becomes more central and attractive, this early wig becomes a harder look to reconcile with the character fans eventually adore.
2. Slays – Jacob in New Moon
Jacob’s long hair in New Moon is a revelation. For the first half of the film, before his transformation, he wears flowing, wavy hair that feels warm and genuine—waves and soft wisps frame his face, giving him an approachable, comforting presence as Bella’s friend and emotional anchor. Some fans note occasional inconsistencies with the hairline across shots, but overall this wig reads as natural and evocative of the character’s protective, tender side.
1. Sucks – Victoria in Eclipse
Victoria’s recasting in Eclipse brought Bryce Dallas Howard to the role and, along with that, a strikingly dramatic wig: thick, bright copper curls that read almost cartoonish. While Howard delivered a strong performance, the wig often broke the illusion, feeling too styled and too distinct from the rougher, more feral image established by Rachelle Lefevre’s earlier portrayal. The result is a look that draws attention for the wrong reasons and disrupts the character continuity.
1. Slays – Alice in Twilight
The crown jewel of Twilight hair has to be Alice’s spiky, flared-out bob from the first film. This wig became iconic—cleverly inspired by Alice’s backstory in the books, where electroshock treatment left her hair short and uneven. The filmmakers translated that notion into a fashionable, quirky bob that suited Alice’s hyper-stylish personality. Countless fans asked their hairdressers for “the Alice Cullen,” and for good reason: the wig encapsulates her playful, fierce, and otherworldly charm.
If you’re a die-hard Twilight fan, you probably already know about the franchise’s many wig choices—some successful, some not. On your next cozy rewatch, you might enjoy spotting the moments where hair enhances a scene and those where it distracts.
Which wig moments are your favorites, and which do you find most unforgivable? Share your picks and thoughts in the comments. Thanks for reading.
Written by Holly Carter
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